|This 2007-08 necklace is by Chanel. Amazing!|
During the preview of Fashion Jewelry: The Collection of Barbara Berger, Ms. Berger was asked a question by one of the writers, one question turned into two from someone else, and pretty soon an impromptu Q&A session was taking place alongside one of the jewelry cases. I wrote down what Ms. Berger said as fast as I could because it was a fascinating primer on how to collect costume jewelry from someone with a world-renowned collection!
|A stunning 1955 necklace by CIS/Countess Zoltowska.|
Barbara on the care of her jewelry:
After wear, each piece is gently cleaned and then protected with plastic bubble wrap. It is marked and then stored. (Side note: the 450 pieces in the exhibition came in only 3 trunks, talk about organized!)
Barbara noted that in some ways it can be harder to take care of costume jewelry than fine. For instance, she said it’s difficult to replace a lost stone. She also said she doesn’t believe in restoring a missing stone, she lets the piece remain as it is.
Are the necklaces heavy?
No, they are not, says Barbara. They are light!
Does she wear big jewelry all the time?
No, she admits she doesn’t wear her jewelry much during the day, she tends to wear it more at night.
|A wristlet by Chanel, 2000.|
Can today’s collector put together a collection like hers?
She noted that nowadays it is difficult to amass a collection like the one she has and said, “Many people are doing it (collecting) and many people know what they have (meaning sellers).”
Collecting can’t always be planned out and controlled. “You can’t say, I’m going to Paris and I have to find a Dior or a Chanel,” she said. “It doesn’t work like that. The pleasure of collecting is in the hunt of the treasure.”
She said many of her pieces were random finds. “I’m a Sagittarius and I love traveling. Wherever I’m traveling, I find something.”
|Detail of a Maison Gripoix for Chanel necklace, circa 1980-1990.|
Where should today’s collector go to look for pieces?
She was very clear about this: Go to flea markets! In Paris, she frequents the Marché aux Puces, in Manhattan she recommended the Chelsea Flea on W. 25th Street, and in Brooklyn she likes the Brooklyn Flea in Williamsburg.
Interestingly, she said the only errors she ever made in buying were when she couldn’t see the piece in front of her, to hold it and look it over. For that reason she sounded like she was not a big proponent of eBay (and I can see her point, but I have had good luck there on three separate vintage costume jewelry buying occasions!).
|French paste necklace from 1925. I fell hard for this one.|
Barbara on collecting:
She said the importance of a collection is that “it’s your eye, your vision.”
She talked of falling in love with what she’s buying, saying, “It spoke to me,” or that the purchase was a coup de coeur, instantly striking her heart. Which is great shopping advice whether you are considering a piece for your collection or just adding a new blouse to your wardrobe. If you do not love it, you should not buy it!
|A 2000 necklace by Dolce & Gabbana.|
Barbara on the exhibit:
“My life has come full circle for the show to be in New York. Fashion Jewelry should be in New York. It’s a happy show. You can’t leave without smiling.”
Barbara, who currently lives in Mexico, grew up in New York City, the daughter of a diamond merchant, and it was apparent that the exhibit was a kind of homecoming for her when she smiled and said of it, “It’s the dream of my life.”
|A wild necklace attributed to Emilio Pucci, 1960, made by Coppola e Toppo.|
Fashion Jewelry: The Collection of Barbara Berger is on view at The Museum of Arts and Design until January 20, 2014.
If you’d like to learn even more about Barbara and her collection, there is a book that accompanies the exhibit.
The Museum of Arts and Design
Jerome and Simona Chazen Building
2 Columbus Circle
Open daily 10AM-6PM (Thurs and Fri until 9PM)
Closed Mondays (except select holidays)